Well, the book trailer is done! Here it is, as we promised! It’s all our own work (animation and art).
Hope you like it!
Ridley: It’s a stop motion animation with black silhouettes, kind of in the style of Lotte Reigner. Here’s some of the pictures below that I took while making it- and when I remembered to take them!
From recording the animation.
The animation was carried out in my garage room (as you can see from the clutter! Go look back at the picture of the camcorder, do you see the empty Tayto box from many Christmases ago? Told you we love crisps in Ireland-see the post Irishisms, if you’re now going ‘Huh?’) Despite the chaos, this was the darkest place in the house, so the best room for animation creating! In a way, I made the light box. It’s a long frosted glass table that I got second hand (at an excellent price) and I went to Woodies (local hardware shop) to buy a light, which I placed underneath the table. It beat paying a 100 euro plus for an official A4 light box. The tripod and the camcorder aren’t mine, they were borrowed!
Latimer: At this point, please imagine me texting, and viber messaging Ridley, saying ‘how’s it going? yeah, yeah? Harder, monkey! Work harder!’, sipping my tea, crackin’ the whip. Editing on the side (as Ridley bled real blood, I bled metaphorical editing blood).
Ridley: I recorded the frames of the animation with the programme ‘I Can Animate’, then I used Windows Movie Maker to gather the clips and create the video. Audacity was a programme I used for the music and sound effects. It’s fantastic to use, quite simple once you learn the ropes.
Latimer: I wish I could have strapped a camera to Ridley’s head while she did all of this. Because I would have loved to hear the, ‘oh dear god, noooo! what happened?’ moments. Next time, I will- I’ll document it!
Ridley: Latimer and I collaborated on it all (Latimer: she’s being nice, the animation is Ridley’s brain-baby- I was a sound-board for the story-board, music and descriptions- but really props to Ridley for this!), deciding on what worked in the animation once it was recorded, the font used on the slides and the type of music we needed to create the right ‘feel’ for the trailer.
For the parts like the chains behind the clock and blood drops, I used Deleter screen, which is used all the time by manga artists. The paper has grey tones and designs, which can be cut out and stuck onto your picture. It’s great stuff. I bought it with the trailer in mind when we were in Tokyo after we found one of the best art shops there, Sekadio in Shinjuku (Latimer: working holiday, the only way to holiday! Haha!).
We were in heaven, except for the fact it was packed and all the aisles were really narrow! And I am a browser, I wander the aisles, which you couldn’t really do there! (Latimer: yeah, poor shop design really too narrow! and claustrophobic!)
Overall, I had an absolutely fantastic time making this. It’s my first ever video, though I’ve always had a love for animation, second only to writing! Most of my favourite movies are animated. Aardman, Pixar, Blue Sky Studio, Dreamworks-I love all their stuff. In Ireland, we’ve Brown Bag films, Boulder Media and Cartoon Saloon to name but a few of the companies here, all of which are making waves in the animation industry!
So as you can see, I relished the chance to create this trailer and join my two great loves, writing and animation. I just really hope people like it!